1) An individual spider web
identifies a species:
an order of instinct prevails
through all accidents of circumstance,
though possibility is
high along the peripheries of
spider
webs:
you can go all
around the fringing attachments
and find
disorder ripe,
entropy rich, high levels of random,
numerous occasions of accident:
2) the possible settings
of a web are infinite:
how does
the spider keep
identity
while creating the web
in a particular place?
how and to what extent
and by what modes of chemistry
and control?
it is
wonderful
how things work: I will tell you
about it
because
it is interesting
and because whatever is
moves in weeds
and stars and spider webs
and known
is loved:
in that love,
each of us knowing it,
I love you,
for it moves within and beyond us,
sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:
I will show you
the underlying that takes no image to itself,
cannot be shown or said,
but weaves in and out of moons and bladderweeds,
is all and
beyond destruction
because created fully in no
particular form:
if the web were perfectly pre-set,
the spider could
never find
a perfect place to set it in: and
if the web were
perfectly adaptable,
if freedom and possibility were without limit,
the web would
lose its special identity:
the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
“medium” should
accept the firmest order)
and that
order
diminishes toward the
periphery
allowing at the points of contact
entropy equal to entropy.
A few random poems:
- Shivratri The Night Of Shiva While The Procession Passed At Ramesram
- Address to a Haggis by Robert Burns
- Владимир Маяковский – Почему нет помощи от Румынии (Главполитпросвет №327)
- Ольга Берггольц – Я все оставляю тебе при уходе
- Олег Чупров – Вечером поздним потянет к Печоре
- The Change by Tony Hoagland
- Pursuit by Sylvia Plath
- Sonnet CXLVII by William Shakespeare
- Николай Карамзин – Анакреонтические стихи А. А. Петрову
- Как живёшь ветеран милиции
- Алексей Жемчужников – Себе
- A Hand-Mirror. by Walt Whitman
- Что такое хорошо и что такое плохо – Владимир Маяковский (Стих): Читать стихотворение на Poetry Monster
- Иван Киуру – Ершок с вершок
- The Prarie Battlements by Vachel Lindsay
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Dublinesque by Philip Larkin
- Dockery And Son by Philip Larkin
- Days by Philip Larkin
- Cut Grass by Philip Larkin
- Counting by Philip Larkin
- Continuing To Live by Philip Larkin
- Church Going by Philip Larkin
- Breadfruit by Philip Larkin
- Best Society by Philip Larkin
- Aubade by Philip Larkin
- At Grass by Philip Larkin
- Arrival by Philip Larkin
- Annus Mirabilis by Philip Larkin
- An Arundel Tomb by Philip Larkin
- Ambulances by Philip Larkin
- A Study Of Reading Habits by Philip Larkin
- You Can Have It by Philip Levine
- Wisteria by Philip Levine
- Where We Live Now by Philip Levine
- What Work Is by Philip Levine
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Archie Randolph Ammons (1926-2001) was an important American poet, a modern classic, Ammons wrote about our relationship to nature in a way that is both comic and solemn. His poems often address religious and philosophical matters and scenes involving nature in a manner that is almost transcendental.