1) An individual spider web
identifies a species:
an order of instinct prevails
through all accidents of circumstance,
though possibility is
high along the peripheries of
spider
webs:
you can go all
around the fringing attachments
and find
disorder ripe,
entropy rich, high levels of random,
numerous occasions of accident:
2) the possible settings
of a web are infinite:
how does
the spider keep
identity
while creating the web
in a particular place?
how and to what extent
and by what modes of chemistry
and control?
it is
wonderful
how things work: I will tell you
about it
because
it is interesting
and because whatever is
moves in weeds
and stars and spider webs
and known
is loved:
in that love,
each of us knowing it,
I love you,
for it moves within and beyond us,
sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:
I will show you
the underlying that takes no image to itself,
cannot be shown or said,
but weaves in and out of moons and bladderweeds,
is all and
beyond destruction
because created fully in no
particular form:
if the web were perfectly pre-set,
the spider could
never find
a perfect place to set it in: and
if the web were
perfectly adaptable,
if freedom and possibility were without limit,
the web would
lose its special identity:
the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
“medium” should
accept the firmest order)
and that
order
diminishes toward the
periphery
allowing at the points of contact
entropy equal to entropy.
A few random poems:
- A Winter Eden by Robert Frost
- The Shepherd O’ The Farm by William Barnes
- Владимир Маяковский – Гимназист или строитель
- calling-the-spirits.html
- Владимир Маяковский – Порт
- Валерий Брюсов – Июль 1908
- Юлия Друнина – Старая лента, обугленный лес
- Николай Заболоцкий – Зеленый луч
- The Poplars by William Barnes
- Николай Заболоцкий – Слепой
- Владимир Британишский – В чащобах памяти кого не встретишь вдруг
- Olney Hymn 54: Love Constraining To Obedience by William Cowper
- A Song In Passing by Yvor Winters
- Василий Курочкин – Дама приятная во всех отношениях
- Юрий Галансков – Мне больно
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Giver by Sara Teasdale
- The Gift by Sara Teasdale
- The Flight by Sara Teasdale
- The Faery Forest by Sara Teasdale
- The Dreams Of My Heart by Sara Teasdale
- The Crystal Gazer by Sara Teasdale
- The Coin by Sara Teasdale
- The Cloud by Sara Teasdale
- The Carpenter’s Son by Sara Teasdale
- The Broken Field by Sara Teasdale
- The Blind by Sara Teasdale
- The Answer by Sara Teasdale
- Spring In War Time by Sara Teasdale
- Soul’s Birth by Sara Teasdale
- A Song To Eleonora Duse In “Francesca da Rimini ” by Sara Teasdale
- Song At Capri by Sara Teasdale
- Since There Is No Escape by Sara Teasdale
- The Return by Sara Teasdale
- Pity by Sara Teasdale
- Pierrot’s Song by Sara Teasdale
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Archie Randolph Ammons (1926-2001) was an important American poet, a modern classic, Ammons wrote about our relationship to nature in a way that is both comic and solemn. His poems often address religious and philosophical matters and scenes involving nature in a manner that is almost transcendental.