A poem by Adrienne Cecile Rich (1929 – 2012)
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: “Delicious recollections
float like perfume through the memory.”
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she’s let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle’s snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning’s grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes’ heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn…
Reading while waiting
for the iron to heat,
writing, My Life had stood–a Loaded Gun–
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine–
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
“To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.”
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
“You all die at fifteen,” said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were–fire, tears,
wit, taste, martyred ambition–
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time’s precious chronic invalid,–
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us–
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she’s long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
A few random poems:
- Song in the Manner of Housman poem – Ezra Pound poems
- Lady Anne Bothwell’s Lament poem – Andrew Lang poems
- The Return poem – Ezra Pound poems
- A Girl’s Garden by Robert Frost
- Валерий Брюсов – Песня североамериканских индейцев
- Heavy Woman by Sylvia Plath
- Sigh No More by William Shakespeare
- The Sea Wind by Sara Teasdale
- The Road To Ruin by Siegfried Sassoon
- Шекспир – У сердца с глазом тайный договор – Сонет 47
- Orlando Furioso Canto 19 by Ludovico Ariosto
- The Fall by William Barnes
- Владимир Высоцкий – Мой Гамлет
- Robert Burns: A Stanza Added In A Mason Lodge:
- Олег Бундур – Переселение
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 94: They that have power to hurt and will do none by William Shakespeare
- Sonnet 93: So shall I live, supposing thou art true by William Shakespeare
- Sonnet 92: But do thy worst to steal thy self away by William Shakespeare
- Sonnet 91: Some glory in their birth, some in their skill by William Shakespeare
- Sonnet 90: Then hate me when thou wilt; if ever, now by William Shakespeare
- Sonnet 8: Music to hear, why hear’st thou music sadly? by William Shakespeare
- Sonnet 89: Say that thou didst forsake me for some fault by William Shakespeare
- Sonnet 88: When thou shalt be disposed to set me light by William Shakespeare
- Sonnet 87: Farewell! Thou art too dear for my possessing by William Shakespeare
- Sonnet 86: Was it the proud full sail of his great verse by William Shakespeare
- Sonnet 85: My tongue-tied Muse in manners holds her still by William Shakespeare
- Sonnet 84: Who is it that says most, which can say more by William Shakespeare
- Sonnet 83: I never saw that you did painting need by William Shakespeare
- Sonnet 82: I grant thou wert not married to my Muse by William Shakespeare
- Sonnet 81: Or I shall live your epitaph to make by William Shakespeare
- Sonnet 80: O, how I faint when I of you do write by William Shakespeare
- Sonnet 7: Lo, in the orient when the gracious light by William Shakespeare
- Sonnet 79: Whilst I alone did call upon thy aid by William Shakespeare
- Sonnet 78: So oft have I invoked thee for my Muse by William Shakespeare
- Sonnet 77: Thy glass will show thee how thy beauties wear by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Adrienne Cecile Rich (1929 – 2012) was an American poet, essayist, and feminist.