A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 48: How careful was I, when I took my way by William Shakespeare
- Sonnet 47: Betwixt mine eye and heart a league is took by William Shakespeare
- Sonnet 46: Mine eye and heart are at a mortal war by William Shakespeare
- Sonnet 45: The other two, slight air and purging fire by William Shakespeare
- Sonnet 44: If the dull substance of my flesh were thought by William Shakespeare
- Sonnet 43: When most I wink, then do mine eyes best see by William Shakespeare
- Sonnet 42: That thou hast her, it is not all my grief by William Shakespeare
- Sonnet 41: Those pretty wrongs that liberty commits by William Shakespeare
- Sonnet 40: Take all my loves, my love, yea, take them all by William Shakespeare
- Sonnet 3: Look in thy glass, and tell the face thou viewest by William Shakespeare
- Sonnet 39: O, how thy worth with manners may I sing by William Shakespeare
- Sonnet 38: How can my Muse want subject to invent by William Shakespeare
- Sonnet 37: As a decrepit father takes delight by William Shakespeare
- Sonnet 36: Let me confess that we two must be twain by William Shakespeare
- Sonnet 35: No more be grieved at that which thou hast done by William Shakespeare
- Sonnet 34: Why didst thou promise such a beauteous day by William Shakespeare
- Sonnet 33: Full many a glorious morning have I seen by William Shakespeare
- Sonnet 74: But be contented when that fell arrest by William Shakespeare
- Sonnet 73: That time of year thou mayst in me behold by William Shakespeare
- Sonnet 72: O, lest the world should task you to recite by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.