A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

A few random poems:
- Lines Written in Windsor Forest poem – Alexander Pope
- Олег Бундур – Наши неприятности
- A Snow-White Lily poem – Alfred Austin
- Robert Burns: The Vision:
- The Wind Speaks poem – Alfred Austin
- Robert Burns: Epigram On A Country Laird,: not quite so wise as Solomon.
- The Two Churches by William Barnes
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- Василий Жуковский – Теснятся все к тебе во храм
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- The Welsh Marches poem – A. E. Housman
- Epitaph on a Noisy Polemic by Robert Burns
- Epigram Engraved on the Collar of a Dog Which I Gave to His Royal Highness poem – Alexander Pope poems | Poetry Monster
External links
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Poems in English
- When ‘Omer Smote ‘Is Bloomin’ Lyre by Rudyard Kipling
- When Earth’s Last Picture Is Painted by Rudyard Kipling
- What the People Said by Rudyard Kipling
- What Happened by Rudyard Kipling
- Ulster by Rudyard Kipling
- Two Months by Rudyard Kipling
- Two Kopjes by Rudyard Kipling
- Troopin’ by Rudyard Kipling
- Tommy by Rudyard Kipling
- Tin Fish by Rudyard Kipling
- The Young British Soldier by Rudyard Kipling
- The Wishing-Caps by Rudyard Kipling
- The Winners by Rudyard Kipling
- The Widow at Windsor by Rudyard Kipling
- The Truce of the Bear by Rudyard Kipling
- The Thousandth Man by Rudyard Kipling
- The Story of Uriah by Rudyard Kipling
- The Story of Ung by Rudyard Kipling
- The Sons of Martha by Rudyard Kipling
- The Songs of the Lathes by Rudyard Kipling
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.