A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

A few random poems:
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- Sonnet Vii
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- dance of life by Raj Arumugam
- Daddy, daddy, I can’t go to school by Raj Arumugam
- complete text of the discovery of Kama Sutra by Raj Arumugam
- come, sun rays by Raj Arumugam
- come on in, baby by Raj Arumugam
- Come home, sweetheart by Raj Arumugam
- Colbert Report: Australia by Raj Arumugam
- an evening’s music by Raj Arumugam
- ah poor moon by Raj Arumugam
- ah, happy crow by Raj Arumugam
- absent-mindedness; or I Dream of Spices by Raj Arumugam
- a walk in the forest by Raj Arumugam
- a maiden’s broken heart by Raj Arumugam
- a laugh song by Raj Arumugam
- a gentle day by Raj Arumugam
- a delicate beauty along the shore by Raj Arumugam
- Virtuous Love by Rajendra Ojha
- Tidy by Ralph Angel
- The Unsound Utterance by Raju Baruah
- The Storm by Rainbow Reed
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.