A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
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- Омар Хайям – Где вы, друзья! Где вольный ваш припев?
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- Robert Burns: Address To The Unco Guid, Or The Rigidly Righteous:
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- I Chide Not At The Seasons poem – Alfred Austin
- София Парнок – Он ходит с женщиной в светлом
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- Spring in New Hampshire by William Shakespeare
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- Robert Burns: I Reign In Jeanie’s Bosom:
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Holding On by Satish Verma
- Hepatica by Satish Verma
- Haltering by Satish Verma
- Half-Man by Satish Verma
- Gyrations by Satish Verma
- Green Circle by Satish Verma
- Gray Dawn by Satish Verma
- Glitches by Satish Verma
- GESTURES by Satish Verma
- Furious Wounds by Satish Verma
- Flirting by Satish Verma
- Flickering Dream by Satish Verma
- Fierce Mooning by Satish Verma
- Father’s Day by Satish Verma
- Faces by Satish Verma
- EXISTENTIAL DILEMMMA by Satish Verma
- Eternal Drift by Satish Verma
- Entranced by Satish Verma
- Enigmatic by Satish Verma
- Engagements by Satish Verma
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.