A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- Taller To-day by W H Auden
- The Complaint Of A Forsaken Indian Woman by William Wordsworth
- Ingrateful Beauty Threatened by Thomas Carew
- Владимир Высоцкий – И сегодня, и намедни
- A Musician’s Wife by Weldon Kees
- Sonnet 124: If my dear love were but the child of state by William Shakespeare
- Sonnet CLIII by William Shakespeare
- English Poetry. Richard Hovey. John Keats. Ричард Хави.
- Memory by Siegfried Sassoon
- The Wish poem – Alexander Pushkin
- Forever Closed by Margaret Marie Hubbard
- excerpt_from_the_quotgertrude_steinquot_collaborative_series.html
- Robert Burns: Halloween: The following poem will, by many readers, be well enough understood; but for the sake of those who are unacquainted with the manners and traditions of the country where the scene is cast, notes are added to give some account of the principal charms and spells of that night, so big with prophecy to the peasantry in the west of Scotland. The passion of prying into futurity makes a striking part of the history of human nature in its rude state, in all ages and nations; and it may be some entertainment to a philosophic mind, if any such honour the author with a perusal, to see the remains of it among the more unenlightened in our own.-R.B.
- A Man Young And Old: III. The Mermaid by William Butler Yeats
- Orlando Furioso Canto 14 by Ludovico Ariosto
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Омар Хайям – О доколе ты по свету будешь кружить
- Омар Хайям о Боге и религии: Рубаи, стихи Хайяма про Бога – Poetry Monster
- Омар Хайям – Ну, допустим, что будет тебе и почет
- Омар Хайям – Нищим дервишем ставши
- Омар Хайям – Никто не лицезрел ни рая, ни геенны
- Омар Хайям – Ни к другу не взывай, ни к небесам
- Омар Хайям – Нет ни рая, ни ада, о сердце моё
- Омар Хайям – Несовместимых мы порой полны желаний
- Омар Хайям – Неправ, кто думает, что бог неумолим
- Омар Хайям – Небо кушак, что облек изнуренный мой стан
- Омар Хайям – Не зли других и сам не злись
- Омар Хайям – Не зарекайся пить бесценных гроздий сок
- Омар Хайям – Не являй друзьям печальный вид
- Омар Хайям – Не выращивай в сердце печали росток
- Омар Хайям – Не устану в неверном театре теней
- Омар Хайям – Не у тех, кто во прах государства поверг
- Омар Хайям – Не таи в своем сердце обид и скорбей
- Омар Хайям – Не смешно ли весь век по копейке копить
- Омар Хайям – Не порочь лозы-невесты
- Омар Хайям – Не оплакивай, смертный, вчерашних потерь
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.