A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- An Epitaph 3 (From The Greek) by William Cowper
- By the Hoof of the Wild Goat by Rudyard Kipling
- Final Soliloquy Of The Interior Paramour by Wallace Stevens
- A Eulogy by Shaunna Harper
- Николай Глазков – Дождь
- Epistle from Esopus to Maria by Robert Burns
- Иван Бунин – Безнадежность
- Topiary poem – Aldous Huxley poems | Poetry Monster
- Олег Бундур – Совет
- Extempore Reply to an Invitation by Robert Burns
- With Scindia to Delphi by Rudyard Kipling
- Weather poem – by Ambrose Bierce poems | Poems and Poetry
- Lament For The Makers By William Dunbar
- Владимир Маяковский – Смыкай ряды
- Нина Гаген-Торн – Колыма
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Английская поэзия. Редьярд Киплинг. «Расходы и поступления». (1919-1926). 9. Джейн выходит замуж. Rudyard Kipling. «Debits and Credits». (1919-1926). 9. Jane’s Marriage
- Английская поэзия. Уильям Шекспир. Сонет 139. Оправдывать меня не принуждай. William Shakespeare. Sonnet 139. o call not me to justify the wrong
- Английская поэзия. Перси Биши Шелли. К Мэри Шелли. Percy Bysshe Shelley. To Mary Shelley
- Английская поэзия. Айзек Розенберг. Дочери войны. Isaac Rosenberg. Daughters of War
- Английская поэзия. Перси Биши Шелли. Тень Ада. Percy Bysshe Shelley. Satan Broken Loose
- Английская поэзия. Редьярд Киплинг. «Эпитафии Войны». 1914-1918. 1. Убытки поровну. Rudyard Kipling. «Epitaphs of the War». 1914-1918. 1. «Equality of Sacrifice»
- Lament For The Makers By William Dunbar
- Done is a battle by William Dunbar
- Robert Burns: Inscription To Miss Jessy Lewars: On a copy of the Scots Musical Museum, in four volumes, presented to her by Burns.
- Robert Burns: O Wert Thou In The Cauld Blast:
- Robert Burns: A Health To Ane I Loe Dear:
- Robert Burns: O Lay Thy Loof In Mine, Lass:
- Robert Burns: Complimentary Versicles To Jessie Lewars: On Her Recovery
- Robert Burns: Complimentary Versicles To Jessie Lewars: Jessie’s illness
- Robert Burns: Complimentary Versicles To Jessie Lewars: The Menagerie
- Robert Burns: Complimentary Versicles To Jessie Lewars: The Toast
- Robert Burns: The Trogger.: Heron Election Ballad, No. IV.
- Robert Burns: A Lass Wi’ A Tocher:
- Robert Burns: Epistle To Colonel De Peyster:
- Robert Burns: The Dean Of Faculty: A New Ballad
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.