A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

A few random poems:
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- Love Of Life poem – Alfred Austin
- Sharing Eve’s Apple poem – John Keats poems
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- A Highly Valuable Chain Of Thoughts poem – Andrew Lang poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Nominalism Is A Liquid Kuhi
- My Mother’s Grief
- If Truth In Hearts That Perish
- I Havent Betrayed You My Hometown
- Eclipse Of Love
- Divided Passion
- Death039s Claim
- Dear Bhikkhu A Eulogy
- As With A Senryu S Hardening Ridge
- A Gogyohka And The Forgotten Panopticon
- A Faded Postcard Is A Tanka Daydream
- The Dead Woman poem – Pablo Neruda
- If Truth in Hearts That Perish poem – A. E. Housman
- Fragment of a Greek Tragedy poem – A. E. Housman
- Diffugere Nives poem – A. E. Housman
- Water Strider
- The Infernal Regions
- Honeycomb
- Dark Matter
- Wet City Night
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.