A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Insolent Storm Strikes At The Skull by Sylvia Plath
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- Ibant Obscur? by Thomas Edward Brown
- Whitsun by Sylvia Plath
- Five Ways To Kill A Man poem – Andre Breton poems
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- The Sacrifice of Er-Heb by Rudyard Kipling
- Telescope by Mark R Slaughter
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Story Of Our Lives by Mark Strand
- The Self and the Mulberry by Marvin Bell
- Your Poems on My Patio by Martina Reisz Newberry
- The Room by Mark Strand
- Yesterday’s Mishaps by Mary Etta Metcalf
- The River Has Its Memories by Mary Etta Metcalf
- Yes Dear by Mary Etta Metcalf
- The River by Mark Olynyk
- Words Unspoken by Mark Olynyk
- The Remains by Mark Strand
- Woman With Parasol by Martin Willitts Jr.
- The Poetic Principle by Mark Olynyk
- Why Write? by Mark Olynyk
- The Other Side of Panic by Martina Reisz Newberry
- Where Have We All Gone by Mary Etta Metcalf
- The joyful things in life by Martin Smith
- What is Poetry? by Mark Olynyk
- The Frantic by Mark Miller
- Wednesday by Marvin Bell
- The End of the Argument by Martina Reisz Newberry
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.