A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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- The Caucas poem – Alexander Pushkin
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- Inversnaid poem – Gerard Manley Hopkins poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Traveling Dream by Marge Piercy
- Toad Dreams by Marge Piercy
- To the Pay Toilet by Marge Piercy
- To Be of Use by Marge Piercy
- To a Steam Roller by Marianne Moore
- To an Intra-mural Rat by Marianne Moore
- The Woman in the Ordinary by Marge Piercy
- The Steeple-Jack by Marianne Moore
- The Seven Of Pentacles by Marge Piercy
- The Past is the Present by Marianne Moore
- The Paper Nautilus by Marianne Moore
- The Pangolin by Marianne Moore
- The Neighbor by Marge Piercy
- The Morning Half-Life Blues by Marge Piercy
- The Moment I knew my Life had Changed by Maria Mazziotti Gillan
- The Friend by Marge Piercy
- The Fish by Marianne Moore
- The Dark Cavalier by Margaret Widdemer
- The Colloquy Beneath by Margaret Marie Hubbard
- The Cat’s Song by Marge Piercy
More external links (open in a new tab):
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.