A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Epigram—Divine Service at Lamington by Robert Burns
- Epigram—Commissary Goldie’s Brains by Robert Burns
- Epigram at RoslinInn by Robert Burns
- Epigram at Brownhill Inn by Robert Burns
- Epigram Addressed to an Artist by Robert Burns
- Elegy on Willie Nicol’s Mare by Robert Burns
- Elegy on the Year 1788 by Robert Burns
- Elegy on the late Miss Burnet of Monboddo by Robert Burns
- Elegy on the Death of Sir James Hunter Blair by Robert Burns
- Elegy on the Death of Robert Ruisseaux by Robert Burns
- Elegy on Stella by Robert Burns
- Elegy on Captain Matthew Henderson by Robert Burns
- Election Ballad for Westerha’ by Robert Burns
- Election Ballad at close of Contest for representing the Dumfries Burghs, 1790 by Robert Burns
- Duncan Gray by Robert Burns
- Dialogue Song—Philly and Willy by Robert Burns
- Despondency: An Ode by Robert Burns
- Delia: An Ode by Robert Burns
- Complimentary versicles to Jessie Lewars by Robert Burns
- Complimentary Epigram to Mrs. Riddell by Robert Burns
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.