A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Владимир Костров – Выходец из волости лесистой
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- The Devon Maid: Stanzas Sent In A Letter To B. R. Haydon poem – John Keats poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Wasted Illness by Thomas Hardy
- A Thunderstorm In Town by Thomas Hardy
- A Jog-Trot Pair by Thomas Hardy
- A Dream Or No by Thomas Hardy
- Ye Mariners of England by Thomas Campbell
- To the Evening Star by Thomas Campbell
- The Last Man by Thomas Campbell
- The Dirge of Wallace by Thomas Campbell
- The Battle of the Baltic by Thomas Campbell
- Song to the Evening Star by Thomas Campbell
- Ode to Winter by Thomas Campbell
- Ode to the Memory of Burns by Thomas Campbell
- Love And Madness by Thomas Campbell
- Lord Ullin’s Daughter by Thomas Campbell
- Hohenlinden by Thomas Campbell
- Gertrude of Wyoming by Thomas Campbell
- Freedom And Love by Thomas Campbell
- Benlomond by Thomas Campbell
- Adelgitha by Thomas Campbell
- The Resignation by Thomas Chatterton
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.