A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Владимир Высоцкий – Вот и настал этот час опять
- Владимир Высоцкий – Вот, главный вход
- Владимир Высоцкий – Войны и голодухи натерпелися мы всласть
- Владимир Высоцкий – Водой наполненные горсти
- Владимир Высоцкий – Веселая покойницкая
- Владимир Высоцкий – Побег на рывок
- Владимир Высоцкий – В холода, в холода
- Владимир Высоцкий – В тюрьме Таганской нас стало мало
- Владимир Высоцкий – В тайгу
- Владимир Высоцкий – В Средней Азии безобразие
- Владислав Ходасевич – Опять во тьме. У наших ног
- Владислав Ходасевич – Окна во двор
- Владислав Ходасевич – Обо всем в одних стихах не скажешь
- Владислав Ходасевич – О, если б в этот час желанного покоя
- Владислав Ходасевич – Новый год
- Владислав Ходасевич – Ночь
- Владислав Ходасевич – Ни розового сада
- Владислав Ходасевич – Нет, не шотландской королевой
- Владислав Ходасевич – Нет, молодость, ты мне была верна
- Яков Полонский – Диссонанс
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.