A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- The Beäten Path by William Barnes
- Владимир Британишский – А Новый год мы встретили в лесу
- A Nativity by Rudyard Kipling
- Shadow Overhead by Vaishnavi Prakash
- From Far, From Eve and Morning poem – A. E. Housman
- “`Covet who will the patronage of Kings ” poem – Alfred Austin
- Анатолий Жигулин – О, жизнь! Я всё тебе прощаю
- Владимир Степанов – Рукавицы для лисицы
- Олег Бундур – Где живут мысли
- The Neighbor by Marge Piercy
- Beauty by Tony Hoagland
- Burning The Letters by Sylvia Plath
- Polyphemus poem – Ambrose Bierce poems | Poems and Poetry
- A Token by Robert Creeley
- Au Bal poem – Aleister Crowley poems | Poetry Monster
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Unlyric Love Song
- Tube Station
- To Be Blind
- The Man In The Bowler Hat
- the_children_look_at_the_parents.html
- The British
- symphony_in_red.html
- seaport.html
- sea.html
- quickstep.html
- polyphony_in_a_cathedral.html
- one_almost_might.html
- nursery_rhyme_for_a_twenty_first_birthday.html
- not_love_perhaps.html
- night_piece.html
- never.html
- music.html
- meeting.html
- last_word_to_childhood.html
- june_sick_room.html
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.