A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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- Untitled
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Orlando Furioso Canto 12 by Ludovico Ariosto
- Orlando Furioso Canto 11 by Ludovico Ariosto
- Orlando Furioso Canto 10 by Ludovico Ariosto
- Orlando Furioso Canto 1 by Ludovico Ariosto
- On The High Pedestal by Shahida Latif
- No quise detenerte by Luz del Alba Nicola
- Memo to my Spouse by Adeola Ikuomola
- Love Poem by Aditya Kumar
- Love by Shahida Latif
- Let me draw your face by St Antoine de la Vuadi
- La Greatest by Samuel Stephen Wakdok
- Kiss Me Again by St Antoine de la Vuadi
- Is It True! by Luis Estable
- In Our Time by Michael D Wentworth
- I love you by Inganathi Ntantiso
- I did not want to stop you by Luz del Alba Nicola
- I Call Your Name In My Heart by Samuel Stephen Wakdok
- I Ask Someone To Resolve by Shahida Latif
- I Am Just Saying! by Luis Estable
- Here I would have loved you by Luz del Alba Nicola
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.