A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- In The New Sun by Philip Levine
- In A Vacant House by Philip Levine
- In A Light Time by Philip Levine
- I Won, You Lost by Philip Levine
- I Sing The Body Electric by Philip Levine
- How Much Earth by Philip Levine
- House Of Silence by Philip Levine
- Holy Day by Philip Levine
- Holding On by Philip Levine
- Heaven by Philip Levine
- Green Thumb by Philip Levine
- Gin by Philip Levine
- Gangrene by Philip Levine
- For The Country by Philip Levine
- Fist by Philip Levine
- Father by Philip Levine
- Everything by Philip Levine
- Coming Close by Philip Levine
- Clouds Above The Sea by Philip Levine
- Clouds by Philip Levine
More external links (open in a new tab):
Doska or the Board – write anything
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Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.