A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

A few random poems:
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- Requests for Toy Piano by Tony Hoagland
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- A Practical Young Woman poem – Irwin Russell “,
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- You are coming! by Preeth Nambiar
- Wish If You…! by Praveen Parasar
- When the universe speaks by Preeth Nambiar
- WATER LILLIES AND ADVICE by PEGGY AYLSWORTH
- Waking up on a rainy morning by Preeth Nambiar
- Wake Oslo up again by Philo Ikonya
- Towards The sky by Pushpendra Singh Baghel
- To Double Lock by Pierre Reverdy
- The way aboard by Preeth Nambiar
- The Theatre of Illusion by Pierre Corneille
- The Survivor by Primo Levi
- The Search by Pornika Ganguly
- The Magic by Preeth Nambiar
- The Love! by Praveen Parasar
- The Last Letter by Priyanka Tungana
- The Fragrance of life by Preeth Nambiar
- The Deeper Shadow by Pierre Reverdy
- The Actor by Preeth Nambiar
- That Light by Paul Hostovsky
- Termites by Piera Chen
More external links (open in a new tab):
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The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.