A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Before Summer Rain by Rainer Maria Rilke
- Fire’s Reflection by Rainer Maria Rilke
- Black Cat by Rainer Maria Rilke
- Duino Elegies: The First Elegy by Rainer Maria Rilke
- Archaic Torso Of Apollo by Rainer Maria Rilke
- Childhood by Rainer Maria Rilke
- Falling Stars by Rainer Maria Rilke
- Autumn Day by Rainer Maria Rilke
- from The Tenth Elegy by Rainer Maria Rilke
- For Hans Carossa by Rainer Maria Rilke
- Evening Love Song by Rainer Maria Rilke
- Evening by Rainer Maria Rilke
- Death by Rainer Maria Rilke
- Blank Joy by Rainer Maria Rilke
- Along The Sun-Drenched Roadside by Rainer Maria Rilke
- Again And Again, However We Know The Landscape Of Love by Rainer Maria Rilke
- Adam by Rainer Maria Rilke
- A Walk by Rainer Maria Rilke
- “Wonkavite…” by Roald Dahl
- Violet Beauregarde… by Roald Dahl
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.