A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Константин Бальмонт – На дальнем полюсе
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- The Challenge: A Court Ballad poem – Alexander Pope poems | Poetry Monster
- Владимир Высоцкий – Мы вместе грабили одну и ту же хату
- Robert Burns: My Collier Laddie:
- Sic Vos Non Vobis
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- Владимир Бенедиктов – Пожар
- The Secrets Of Divine Love Are To Be Kept by William Cowper
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Body Script by Satish Verma
- Blue Mountains by Satish Verma
- Blistering Attack by Satish Verma
- Blemishes by Satish Verma
- Battle For Madness by Satish Verma
- Bare Tongue by Satish Verma
- Backtracking by Satish Verma
- AWAY FROM HOME by Satish Verma
- Astigmatism by Satish Verma
- Armless Enemies by Satish Verma
- Animation by Satish Verma
- Ancient Sins by Satish Verma
- Anarchy by Satish Verma
- An Art by Satish Verma
- Afterimages by Satish Verma
- A Saint Between Us by Satish Verma
- A River Flows Underground by Satish Verma
- A Killing by Satish Verma
- A DARK HOUSE by Satish Verma
- A Civil War by Satish Verma
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.