A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Mesh by Shahida Latif
- Tear of warm dew of mind by Seema Gupta
- Your Time’s Comin’ by Shel Silverstein
- Workin’ It Out by Shel Silverstein
- Who’s Taller? by Shel Silverstein
- Who does she think she is…. by Shel Silverstein
- When She Cries by Shel Silverstein
- Ugliest Man In Town by Shel Silverstein
- Tryin’ On Clothes by Shel Silverstein
- They’ve Put A Brassiere On A Camel by Shel Silverstein
- The Worlds Greatest Smoke Off by Shel Silverstein
- The Winner by Shel Silverstein
- The Voice by Shel Silverstein
- The Unicorn by Shel Silverstein
- The Sitter by Shel Silverstein
- The Perfect Wave by Shel Silverstein
- The Perfect High by Shel Silverstein
- The Oak and the Rose by Shel Silverstein
- The Nap Taker by Shel Silverstein
- The Monkey by Shel Silverstein
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.