A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

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- Sonnet 132: Thine eyes I love, and they, as pitying me by William Shakespeare
- Metaphysical View by Satish Verma
- Алексей Толстой – Шумит на дворе непогода
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Funeral Day Thoughts by Sudheesh Vs
- Flying Home by Sudeep Sen
- Do You Remember 1914 Grandad? by Steve Sant
- Crossroads by Suchi Gaur
- Closure by Suchi Gaur
- Borrowed Verses by Subhash Misra
- A Different September by Steve Sant
- Zen-moment by Sunil Sharma
- Young mother by Sunil Sharma
- Winter dusk at the railway halt by Sunil Sharma
- Valley-dawn by Sunil Sharma
- The workers by Sunil Sharma
- The light from an earthen lamp by Sunil Sharma
- The humble earthen lamp by Sunil Sharma
- The gypsy song by Sunil Sharma
- The Chant of the Indignant of the World by Sunil Sharma
- Surreal landscapes by Sunil Sharma
- To a son abroad by Sunil Sharma
- Relations by Sunil Sharma
- Pharaohs, Protests and Public by Sunil Sharma
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.