A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

A few random poems:
- Sonnet 133: Beshrew that heart that makes my heart to groan by William Shakespeare
- Halloween by Mac Hammond
- Obdurant men, the worst of the abstinant by Miles
- The Simplon Pass by William Wordsworth
- The Well Of Love by Walter William Safar
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- The Road That Runs Beside The River by Thomas Lux
- Epigrams against the Earl of Galloway by Robert Burns
- Shot? So Quick, So Clean an Ending? poem – A. E. Housman
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- Blow, Bugle, Blow poem – Lord Alfred Tennyson poems
- The Tent poem – Aleister Crowley poems | Poetry Monster
- The Bells Ov Alderburnham by William Barnes
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Strumpet Song by Sylvia Plath
- Street Song by Sylvia Plath
- Stopped Dead by Sylvia Plath
- Stings by Sylvia Plath
- Stillborn by Sylvia Plath
- Spinster by Sylvia Plath
- Spider by Sylvia Plath
- Sow by Sylvia Plath
- Southern Sunrise by Sylvia Plath
- Snakecharmer by Sylvia Plath
- Sculptor by Sylvia Plath
- Rhyme by Sylvia Plath
- Resolve by Sylvia Plath
- Recantation by Sylvia Plath
- Pursuit by Sylvia Plath
- Purdah by Sylvia Plath
- Prospect by Sylvia Plath
- Private Ground by Sylvia Plath
- Point Shirley by Sylvia Plath
- Poems, Potatoes by Sylvia Plath
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.