A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

A few random poems:
- Sonnet I: From Fairest Creatures We Desire Increase by William Shakespeare
- Ballades II – Of The Book-Hunter poem – Andrew Lang poems
- Impromptu on Dumourier’s Desertion of the French Republican Army by Robert Burns
- I Keep Six Honest… by Rudyard Kipling
- Владимир Бенедиктов – Я. П. Полонскому
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- Казалось, осталось недолго
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- The Way poem – Amy Lowell poems | Poems and Poetry
- Frozen by Priyanka Tungana
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Dark Wood, Dark Water by Sylvia Plath
- Dark House by Sylvia Plath
- Danse Macabre by Sylvia Plath
- Cut by Sylvia Plath
- Crystal Gazer by Sylvia Plath
- Contusion by Sylvia Plath
- Cinderella by Sylvia Plath
- Childless Woman by Sylvia Plath
- Child by Sylvia Plath
- Channel Crossing by Sylvia Plath
- Candles by Sylvia Plath
- Bucolics by Sylvia Plath
- Brasilia by Sylvia Plath
- Blue Moles by Sylvia Plath
- Berck-Plage by Sylvia Plath
- Barren Woman by Sylvia Plath
- Aquatic Nocturne by Sylvia Plath
- April Aubade by Sylvia Plath
- April 18 by Sylvia Plath
- Among The Narcissi by Sylvia Plath
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.