A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Methodist by Thomas Chatterton
- The Death of Nicou by Thomas Chatterton
- The Copernican System by Thomas Chatterton
- The Advice by Thomas Chatterton
- Song from Aella by Thomas Chatterton
- Sly Dick by Thomas Chatterton
- Narva and Mored by Thomas Chatterton
- Heccar and Gaira by Thomas Chatterton
- February by Thomas Chatterton
- Eclogues by Thomas Chatterton
- Colin Instructed by Thomas Chatterton
- An Excelente Balade of Charitie: As Wroten bie the Gode Pri by Thomas Chatterton
- A New Song by Thomas Chatterton
- A Hymn for Christmas Day by Thomas Chatterton
- The Spring by Thomas Carew
- The Primrose by Thomas Carew
- Song. Murdering Beauty by Thomas Carew
- Song. Mediocrity in love rejected. by Thomas Carew
- Song. Good Counsel to a Young Maid by Thomas Carew
- Song: Eternity of Love Protested by Thomas Carew
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.