“My heritage!” It is to live within
The marts of Pleasure and of Gain, yet be
No willing worshiper at either shrine;
To think, and speak, and act, not for my pleasure,
But others’. The veriest slave of time
And circumstances. Fortune’s toy!
To hear of fraud, injustice, and oppression,
And feel who is the unshielded victim.
Cold friends and causeless foes!
Proud thoughts that rise to fall.
Bright stars that set in seas of blood;
Affections, which are passions, lava-like
Destroying what they rest upon. Love’s
Fond and fervid tide preparing icebergs
That fragile bark, this loving human heart.
O’ermastering Pride!
Ruler of the Soul!
Life, with all its changes, cannot bow ye.
Soul-subduing Poverty!
That lays his iron, cold grasp upon the high
Free spirit: strength, sorrow-born, that bends
But breaks not in his clasp-all, all
These are “my heritage!”
And mine to know a reckless human love, all passion and intensity, and see a mist come o’er the scene, a dimness steal o’er the soul!
Mine to dream of joy and wake to wretchedness!
Mine to stand on the brink of life
One little moment where the fresh’ning breeze
Steals o’er the languid lip and brow, telling
Of forest leaf, and ocean wave, and happy
Homes, and cheerful toil; and bringing gently
To this wearied heart its long-forgotten
Dreams of gladness.
But turning the fevered cheek to meet the soft kiss of the winds, my eyes look to the sky, where I send up my soul in thanks. The sky is clouded-no stars-no music -the heavens are hushed.
My poor soul comes back to me, weary and disappointed.
The very breath of heaven, that comes to all, comes not to me.
Bound in iron gyves of unremitting toil, my vital air is wretchedness-what need I any other?
“My heritage!” The shrouded eye, the trampled leaf, wind-driven and soiled with dust-these tell the tale.
Mine to watch
The glorious light of intellect
Burn dimly, and expire; and mark the soul,
Though born in Heaven, pause in its high career,
Wave in its course, and fall to grovel in
The darkness of earth’s contamination, till
Even Death shall scorn to give a thing
o low his welcome greeting!
Who would be that pale,
Blue mist, that hangs so low in air, like Hope
That has abandoned earth, yet reacheth
Not the stars in their proud homes?
A dying eagle, striving to reach the sun?
A little child talking to the gay clouds as they flaunt past in their purple and crimson robes?
A timid little flower singing to the grand old trees?
Foolish waves, leaping up and trying to kiss the moon?
A little bird mocking the stars?
Yet this is what men call Genius.
A few random poems:
- birch_tree.html
- Владимир Маяковский – Строители коммуны (РОСТА)
- Ladies And Gentlemen In Outer Space by Ron Padgett
- Robert Burns: Tarbolton Lasses, The:
- The islands of happiness
- The Dragon and The Unicorn by Mary Etta Metcalf
- Жан де Лафонтен – Дафнис и Алцимадура
- Victims poem – Yaseen Anwer poems | Poetry Monster
- Выхожу один я на дорогу – Лермонтов: Стихотворение, читать текст стиха Михаила Лермонтова – Poetry Monster
- A Fairy Song by William Shakespeare
- Sonnet CXXXVI by William Shakespeare
- Sonet 48 by William Alexander
- Алексей Толстой – Слова для мазурки
- Robert Burns: I Murder Hate:
- Contusion by Sylvia Plath
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 94: They that have power to hurt and will do none by William Shakespeare
- Sonnet 93: So shall I live, supposing thou art true by William Shakespeare
- Sonnet 92: But do thy worst to steal thy self away by William Shakespeare
- Sonnet 91: Some glory in their birth, some in their skill by William Shakespeare
- Sonnet 90: Then hate me when thou wilt; if ever, now by William Shakespeare
- Sonnet 8: Music to hear, why hear’st thou music sadly? by William Shakespeare
- Sonnet 89: Say that thou didst forsake me for some fault by William Shakespeare
- Sonnet 88: When thou shalt be disposed to set me light by William Shakespeare
- Sonnet 87: Farewell! Thou art too dear for my possessing by William Shakespeare
- Sonnet 86: Was it the proud full sail of his great verse by William Shakespeare
- Sonnet 85: My tongue-tied Muse in manners holds her still by William Shakespeare
- Sonnet 84: Who is it that says most, which can say more by William Shakespeare
- Sonnet 83: I never saw that you did painting need by William Shakespeare
- Sonnet 82: I grant thou wert not married to my Muse by William Shakespeare
- Sonnet 81: Or I shall live your epitaph to make by William Shakespeare
- Sonnet 80: O, how I faint when I of you do write by William Shakespeare
- Sonnet 7: Lo, in the orient when the gracious light by William Shakespeare
- Sonnet 79: Whilst I alone did call upon thy aid by William Shakespeare
- Sonnet 78: So oft have I invoked thee for my Muse by William Shakespeare
- Sonnet 77: Thy glass will show thee how thy beauties wear by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Adah Isaacs Menken (1835 – 1868) was an American actress and a performer, who painted painter and wrote a number of poems (31 published so far). She was supposedly the highest earning actress of her time. She was best known for her performance in the hippodrama Mazeppa (with libretto based on Pushkin’s work), it is said that the climax of the spectacle featured her apparently nude and riding a horse on stage. After great success for a few years with the play in New York and San Francisco, she appeared in a production in London and Paris, from 1864 to 1866. She was a friend of Alexander Dumas. Adah Menken died in Paris at the age of 33