Egyptsuperstitionode
ODE TO SUPERSTITION.[1]


I. 1.

Hence, to the realms of Night, dire Demon, hence!
  Thy chain of adamant can bind
  That little world, the human mind,
And sink its noblest powers to impotence.
  Wake the lion’s loudest roar,
  Clot his shaggy mane with gore,
  With flashing fury bid his eye-balls shine;
  Meek is his savage, sullen soul, to thine!
  Thy touch, thy deadening touch has steel’d the breast,[2]
  Whence, thro’ her April-shower, soft Pity smil’d;
  Has clos’d the heart each godlike virtue bless’d,
  To all the silent pleadings of his child.
  At thy command he plants the dagger deep,
At thy command exults, tho’ Nature bids him weep!

I. 2.

When, with a frown that froze the peopled earth,[3]
  Thou dartedst thy huge head from high,
  Night wav’d her banners o’er the sky,
And, brooding, gave her shapeless shadows birth.
  Rocking on the billowy air,
  Ha! what withering phantoms glare!
As blows the blast with many a sudden swell,
At each dead pause, what shrill-ton’d voices yell!
  The sheeted spectre, rising from the tomb,
  Points at the murderer’s stab, and shudders by;
  In every grove is felt a heavier gloom,
  That veils its genius from the vulgar eye:
  The spirit of the water rides the storm,
And, thro’ the mist, reveals the terrors of his form.

I. 3.

  O’er solid seas, where Winter reigns,
  And holds each mountain-wave in chains,
The fur-clad savage, ere he guides his deer[4]
  By glistering star-light thro’ the snow,
  Breathes softly in her wondering ear
  Each potent spell thou bad’st him know.
  By thee inspir’d, on India’s sands,[5]
  Full in the sun the Bramin stands;
  And, while the panting tigress hies
  To quench her fever in the stream,
  His spirit laughs in agonies,[6]
Smit by the scorchings of the noontide beam.
  Mark who mounts the sacred pyre,
  Blooming in her bridal vest:
She hurls the torch! she fans the fire!
        To die is to be blest:[7]
  She clasps her lord to part no more,
  And, sighing, sinks! but sinks to soar.
  O’ershadowing Scotia’s desert coast,
  The Sisters sail in dusky state,[8]
  And, wrapt in clouds, in tempests tost,
     Weave the airy web of fate;
     While the lone shepherd, near the shipless main,[9]
Sees o’er her hills advance the long-drawn funeral train.

II. 1.

  Thou spak’st, and lo! a new creation glow’d.
        Each unhewn mass of living stone
        Was clad in horrors not its own,
  And at its base the trembling nations bow’d.
        Giant Error, darkly grand,
        Grasp’d the globe with iron hand.
  Circled with seats of bliss, the Lord of Light
  Saw prostrate worlds adore his golden height.
  The statue, waking with immortal powers,[10]
  Springs from its parent earth, and shakes the spheres;
  The indignant pyramid sublimely towers,
  And braves the efforts of a host of years.
  Sweet Music breathes her soul into the wind;
And bright-ey’d Painting stamps the image of the mind.

II. 2.

  Round their rude ark old Egypt’s sorcerers rise!
        A timbrell’d anthem swells the gale,
        And bids the God of Thunders hail;[11]
  With lowings loud the captive God replies.
        Clouds of incense woo thy smile,
        Scaly monarch of the Nile![12]
  But ah! what myriads claim the bended knee?[13]
  Go, count the busy drops that swell the sea.
  Proud land! what eye can trace thy mystic lore,
  Lock’d up in characters as dark as night?[14]
  What eye those long, long labyrinths dare explore,[15]
  To which the parted soul oft wings her flight;
  Again to visit her cold cell of clay,
Charm’d with perennial sweets, and smiling at decay?

II. 3.

        On yon hoar summit, mildly bright[16]
        With purple ether’s liquid light,
High o’er the world, the white-rob’d Magi gaze
  On dazzling bursts of heavenly fire;
  Start at each blue, portentous blaze,
  Each flame that flits with adverse spire.
  But say, what sounds my ear invade[17]
  From Delphi’s venerable shade?
  The temple rocks, the laurel waves!
  “The God! the God!” the Sybil cries.
  Her figure swells! she foams, she raves!
Her figure swells to more than mortal size!
  Streams of rapture roll along,
  Silver notes ascend the skies:
Wake, Echo, wake and catch the song,
        Oh catch it, ere it dies!
  The Sybil speaks, the dream is o’er,
  The holy harpings charm no more.
  In vain she checks the God’s controul;
  His madding spirit fills her frame,
  And moulds the features of her soul,
        Breathing a prophetic flame.
  The cavern frowns; its hundred mouths unclose!
And, in the thunder’s voice, the fate of empire flows.

III. 1.

  Mona, thy Druid-rites awake the dead!
     Rites thy brown oaks would never dare
        Ev’n whisper to the idle air;
  Rites that have chain’d old Ocean on his bed.
     Shiver’d by thy piercing glance,
     Pointless falls the hero’s lance.
  Thy magic bids the imperial eagle fly,[18]
  And blasts the laureate wreath of victory.
  Hark, the bard’s soul inspires the vocal string!
  At every pause dread Silence hovers o’er:
  While murky Night sails round on raven-wing,
  Deepening the tempest’s howl, the torrent’s roar;
  Chas’d by the morn from Snowdon’s awful brow,
Where late she sate and scowl’d on the black wave below.

III. 2.

  Lo, steel-clad War his gorgeous standard rears!
  The red-cross squadrons madly rage,[19]
      And mow thro’ infancy and age:
  Then kiss the sacred dust and melt in tears.
      Veiling from the eye of day,
      Penance dreams her life away;
  In cloister’d solitude she sits and sighs,
  While from each shrine still, small responses rise.
  Hear, with what heart-felt beat, the midnight bell
  Swings its slow summons thro’ the hollow pile!
  The weak, wan votarist leaves her twilight cell,
  To walk, with taper dim, the winding isle;
  With choral chantings vainly to aspire,
Beyond this nether sphere, on Rapture’s wing of fire.

III. 3.

  Lord of each pang the nerves can feel,
  Hence, with the rack and reeking wheel.
Faith lifts the soul above this little ball!
  While gleams of glory open round,
  And circling choirs of angels call,
  Can’st thou, with all thy terrors crown’d,
  Hope to obscure that latent spark,
  Destin’d to shine when suns are dark?
  Thy triumphs cease! thro’ every land,
  Hark! Truth proclaims, thy triumphs cease:
  Her heavenly form, with glowing hand,
Benignly points to piety and peace.
  Flush’d with youth her looks impart
      Each fine feeling as it flows;
  Her voice the echo of her heart,
      Pure as the mountain-snows:
  Celestial transports round her play,
  And softly, sweetly die away.
  She smiles! and where is now the cloud
  That blacken’d o’er thy baleful reign?
  Grim darkness furls his leaden shroud,
      Shrinking from her glance in vain.
  Her touch unlocks the day-spring from above,
And lo! it visits man with beams of light and love.

 [1]
Written in the year 1784.

 [2]
An allusion to the sacrifice of Iphigenia.

 [3]
Lucretius, I. 63.

 [4]
When we were ready to set out, our host muttered some
words in the ears of our cattle. See a Voyage to the North of Europe
in 1653.

 [5]
The Bramins expose their bodies to the intense heat of
the sun.

 [6]
Ridens moriar. The conclusion of an old Runic ode.

 [7]
In the Bedas, or sacred writings of the Hindoos, it is
written: “She, who dies with her husband, shall live for ever with
him in heaven.”

 [8]
The Fates of the Northern Mythology. See MALLET’S Antiquities.

 [9]
An allusion to the Second Sight.

 [10]
See that fine description of the sudden animation of
the Palladium in the second book of the Æneid.

 [11]
The bull, Apis.

 [12]
The Crocodile.

 [13]
 So numerous were the Deities of Egypt, that, according
to an antient proverb, it was in that country less difficult to find
a god than a man.

 [14]
The Hieroglyphics.

 [15]
The Catacombs, in which the bodies of the earliest
generations yet remain without corruption, by virtue of the gums that
embalmed them.

 [16]
“The Persians,” says Herodotus, “reject the use of
temples, altars, and statues. The tops of the highest mountains are
the places chosen for sacrifices.” I. 131. The elements, and more
particularly Fire, were the objects of their religious reverence.

 [17]
An imitation of some wonderful lines in the sixth
Æneid.

 [18]
See Tacitus, 1. xiv. c. 29.

 [19]
This remarkable event happened at the siege and sack of
Jerusalem, in the last year of the eleventh century. Hume, I.221.



Samuel Rogers
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