A poem by Aeschylus (c. 525 – c. 456 Before Christ )
STROPHE IV
Though Zeus plan all things right,
Yet is his heart’s desire full hard to trace;
Nathless in every place
Brightly it gleameth, e’en in darkest night,
Fraught with black fate to man’s speech-gifted race.
ANTISTROPHE IV
Steadfast, ne’er thrown in fight,
The deed in brow of Zeus to ripeness brought;
For wrapt in shadowy night,
Tangled, unscanned by mortal sight,
Extend the pathways of his secret thought.
STROPHE V
From towering hopes mortals he hurleth prone
To utter doom; but for their fall
No force arrayeth he; for all
That gods devise is without effort wrought.
A mindful Spirit aloft on holy throne
By inborn energy achieves his thought.
ANTISTROPHE V
But let him mortal insolence behold:–
How with proud contumacy rife,
Wantons the stem in lusty life
My marriage craving;–frenzy over-bold,
Spur ever-pricking, goads them on to fate,
By ruin taught their folly all too late.
STROPHE VI
Thus I complain, in piteous strain,
Grief-laden, tear-evoking, shrill;
Ah woe is me! woe! woe!
Dirge-like it sounds; mine own death-trill
I pour, yet breathing vital air.
Hear, hill-crowned Apia, hear my prayer!
Full well, O land,
My voice barbaric thou canst understand;
While oft with rendings I assail
My byssine vesture and Sidonian veil.
ANTISTROPHE VI
My nuptial right in Heaven’s pure sight
Pollution were, death-laden, rude;
Ah woe is me! woe! woe!
Alas for sorrow’s murky brood!
Where will this billow hurl me? Where?
Hear, hill-crowned Apia, hear my prayer;
Full well, O land,
My voice barbaric thou canst understand,
While oft with rendings I assail
My byssine vesture and Sidonian veil.
STROPHE VII
The oar indeed and home with sails
Flax-tissued, swelled with favoring gales,
Staunch to the wave, from spear-storm free,
Have to this shore escorted me,
Nor so far blame I destiny.
But may the all-seeing Father send
In fitting time propitious end;
So our dread Mother’s mighty brood,
The lordly couch may ‘scape, ah me,
Unwedded, unsubdued!
ANTISTROPHE VII
Meeting my will with will divine,
Daughter of Zeus, who here dost hold
Steadfast thy sacred shrine,–
Me, Artemis unstained, behold,
Do thou, who sovereign might dost wield,
Virgin thyself, a virgin shield;
So our dread Mother’s mighty brood
The lordly couch may ‘scape, ah me,
Unwedded, unsubdued!
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 115: Those lines that I before have writ do lie by William Shakespeare
- Sonnet 114: Or whether doth my mind, being crowned with you by William Shakespeare
- Sonnet 113: Since I left you, mine eye is in my mind by William Shakespeare
- Sonnet 112: Your love and pity doth th’ impression fill by William Shakespeare
- Sonnet 111: O, for my sake do you with Fortune chide by William Shakespeare
- Sonnet 110: Alas, ’tis true, I have gone here and there by William Shakespeare
- Sonnet 10: For shame, deny that thou bear’st love to any by William Shakespeare
- Sonnet 109: O, never say that I was false of heart by William Shakespeare
- Sonnet 108: What’s in the brain that ink may character by William Shakespeare
- Sonnet 107: Not mine own fears, nor the prophetic soul by William Shakespeare
- Sonnet 106: When in the chronicle of wasted time by William Shakespeare
- Sonnet 105: Let not my love be called idolatry by William Shakespeare
- Sonnet 104: To me, fair friend, you never can be old by William Shakespeare
- Sonnet 103: Alack, what poverty my Muse brings forth by William Shakespeare
- Sonnet 102: My love is strengthened, though more weak in seeming by William Shakespeare
- Sonnet 101: O truant Muse, what shall be thy amends by William Shakespeare
- Sonnet 100: Where art thou, Muse, that thou forget’st so long by William Shakespeare
- Sonnet LIV by William Shakespeare
- Silvia by William Shakespeare
- Sigh No More by William Shakespeare
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.