A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Adolescence II by Rita Dove
- Adolescence I by Rita Dove
- They are Cruel by Rixa White
- The Polar Koala Bear by Robby Charters
- The Lame Guy by Rob Leatherman Sr.
- The Invisible by Rixa White
- The Epic of Jack and Jill by Robby Charters
- The Commitment by Rob Leatherman Sr.
- The Beginning of the End by Rixa White
- The Ancient Deception by Rixa White
- Start Growing by Rixa White
- Splenda by Rob Leatherman Sr.
- Show me by Rixa White
- Rhyme by the Bog by Robby Charters
- Power of Peace by Rixa White
- Poetic Justice by Robby Charters
- Old Times by Rixa white
- Nothing is Real by Rixa White
- Limericks by Robby Charters
- It is a Show by Rixa White
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.