A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
A few random poems:
- Dane-Geld by Rudyard Kipling
- E.P. Ode Pour L’election De Son Sepulchre poem – Ezra Pound poems
- The Soldiers Grave
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- Song from Arcadia by Sir Philip Sidney
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- Robert Burns: The Lovely Lass O’ Inverness:
- “Brave Schill! By Death Delivered” by William Wordsworth
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- One Year by Sharon Olds
- Crab by Sharon Olds
- A Week Later by Sharon Olds
- 1954 by Sharon Olds
- Winter by Shaunna Harper
- Twilight by Shaunna Harper
- The Other Half by Shaunna Harper
- Saison Noir by Shaunna Harper
- River by Shaunna Harper
- Prelude by Shaunna Harper
- Passing by Shaunna Harper
- My Modern Surrealist Mind by Shaunna Harper
- Metamorphosis by Shaunna Harper
- La Fleur by Shaunna Harper
- Keeping the Dawn by Shaunna Harper
- In Measures by Shaunna Harper
- Hidebound by Shaunna Harper
- For Someone, Somewhere, In Relation by Shaunna Harper
- Ellipsis by Shaunna Harper
- Chanson D’Amour by Shaunna Harper
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.