A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Getting There by Sylvia Plath
- Full Fathom Five by Sylvia Plath
- Frog Autumn by Sylvia Plath
- Firesong by Sylvia Plath
- Finisterre by Sylvia Plath
- Fiesta Melons by Sylvia Plath
- Fever 103° by Sylvia Plath
- Female Author by Sylvia Plath
- Faun by Sylvia Plath
- Face Lift by Sylvia Plath
- Event by Sylvia Plath
- Elm by Sylvia Plath
- Ella Mason And Her Eleven Cats by Sylvia Plath
- Edge by Sylvia Plath
- Eavesdropper by Sylvia Plath
- Doomsday by Sylvia Plath
- Dialogue En Route by Sylvia Plath
- Dialogue Between Ghost And Priest by Sylvia Plath
- Departure by Sylvia Plath
- Denouement Villanelle by Sylvia Plath
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.