A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?

A few random poems:
- Why Should Not Old Men Be Mad? by William Butler Yeats
- Владимир Костров – Видение на озере
- A Party Of Lovers poem – John Keats poems
- A Message To America
- Her Praise by William Butler Yeats
- The Ballad Of The Foxhunter by William Butler Yeats
- An Essay on Man: Epistle II poem – Alexander Pope
- 我的妻子。 安德烈·布勒東一首關於自由戀愛的詩
- Winter Apples by Tatiana Gusarova, translated by Fledermaus
- The Maid Vor My Bride by William Barnes
- Омар Хайям – Не таи в своем сердце обид и скорбей
- Mind Extempore by Pawan Kumar
- I Heard You, Solemn-sweet Pipes of the Organ. by Walt Whitman
- Envoi poem – Ezra Pound poems
- Олег Бундур – После дождя
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 20: A woman’s face with Nature’s own hand painted by William Shakespeare
- Sonnet 1: From fairest creatures we desire increase by William Shakespeare
- Sonnet 19: Devouring Time blunt thou the lion’s paws by William Shakespeare
- Sonnet 18: Shall I compare thee to a summer’s day? by William Shakespeare
- Sonnet 17: Who will believe my verse in time to come by William Shakespeare
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Sonnet 15: When I consider every thing that grows by William Shakespeare
- Sonnet 154: The little Love-god lying once asleep by William Shakespeare
- Sonnet 153: Cupid laid by his brand and fell asleep by William Shakespeare
- Sonnet 152: In loving thee thou know’st I am forsworn by William Shakespeare
- Sonnet 151: Love is too young to know what conscience is by William Shakespeare
- Sonnet 150: O from what power hast thou this powerful might by William Shakespeare
- Sonnet 14: Not from the stars do I my judgement pluck by William Shakespeare
- Sonnet 54: O, how much more doth beauty beauteous seem by William Shakespeare
- Sonnet 53: What is your substance, whereof are you made by William Shakespeare
- Sonnet 52: So am I as the rich whose blessèd key by William Shakespeare
- Sonnet 51: Thus can my love excuse the slow offence by William Shakespeare
- Sonnet 50: How heavy do I journey on the way by William Shakespeare
- Sonnet 4: Unthrifty loveliness, why dost thou spend by William Shakespeare
- Sonnet 49: Against that time, if ever that time come by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.