A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
A few random poems:
- Алексей Ржевский – Прости, Москва
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- Adam Armour’s Prayer by Robert Burns
- Haiku by Robby Charters
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- Fancy poem – John Keats poems
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- salamis_quot.html
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Flowers of Sion: Sonnet 3 – Look how the flower by William Drummond
- Flowers of Sion: Sonnet 11 – The last and greatest herald by William Drummond
- Flowers From Sion: Sonnet 25 – More oft than once death whispered by William Drummond
- Faith by John Oxenham
- Exodus Of The Heart by Wilmer Escovar
- Everymaid by John Oxenham
- E.A. Nov. 6, 1900 by John Oxenham
- Don’t Worry by John Oxenham
- Dedication by Wole Soyinka
- Darkness And Light by John Oxenham
- Countrywomen by Katherine Mansfield
- Cold by Witt Wittmann
- Civilian and Soldier by Wole Soyinka
- Cigarettes And Whiskey And Wild, Wild Women by Anne Sexton
- Bring Us The Light by John Oxenham
- Better And Best by John Oxenham
- Because I’ve Learned by William Ellery Leonard
- Alone You Passed by William Ellery Leonard
- All’s Well! by John Oxenham
- Aftershock by William Marr
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Parallel Translations of Poetry
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.