A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Psalm 88 poem – John Milton poems
- I Hoed and Trenched and Weeded poem – A. E. Housman
- View From The Top Of Black Comb by William Wordsworth
- Yoga and Love – Part I
- The Bombardment poem – Amy Lowell poems | Poems and Poetry
- The Munich Mannequins by Sylvia Plath
- Юлия Друнина – Зима, зима нагрянет скоро
- Notes For The Legend Of Salad Woman by Michael Ondaatje
- Владимир Костров – Письмо в никуда
- Владимир Корнилов – Повторение
- Keeping Things Whole by Mark Strand
- Elusive Lover by Renu Ayyar
- The Meäd In June by William Barnes
- Ольга Ермолаева – Всю эту печаль невозможно вместить целиком
- This Morning by Raymond Carver
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Will Ye Go To The Indies, My Mary?:
- Robert Burns: Versified Reply To An Invitation:
- Robert Burns: To Gavin Hamilton, Esq., Mauchline,: Recommending a Boy.
- Robert Burns: Despondency: An Ode:
- Robert Burns: Home.:
- Robert Burns: The Lament: Occasioned by the unfortunate issue of a Friend’s Amour.
- Robert Burns: To Ruin:
- Robert Burns: To A Mountain Daisy: On turning down with the Plough, in April, 1786.
- Robert Burns: Ploughman’s Life, The:
- Robert Burns: Montgomerie’s Peggy:
- Robert Burns: Epistle To The Rev. John M’math: Inclosing A Copy Of “Holy Willie’s Prayer,” Which He Had Requested
- Robert Burns: Ah, Woe Is Me, My Mother Dear: Paraphrase of Jeremiah, 15th Chap., 10th verse
- Robert Burns: Third Epistle To J. Lapraik:
- Robert Burns: The Holy Fair:
- Robert Burns: Epistle To John Goldie, In Kilmarnock: Author Of The Gospel Recovered.
- Robert Burns: Elegy On The Death Of Robert Ruisseaux:
- Robert Burns: Rantin’, Rovin’ Robin:
- Robert Burns: Tho’ Cruel Fate Should Bid Us Part:
- Robert Burns: One Night As I Did Wander:
- Robert Burns: Second Epistle To J. Lapraik:
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.