A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Владимир Бенедиктов – Певец
- Against All Streams by Walter William Safar
- Caught by Susan Adams
- Ольга Ермолаева – Я так же, как ты, от стыда опускаю ресницы
- Омар Хайям – Когда к жизни Любовь меня в мир призвала
- I love you by Inganathi Ntantiso
- The Night poem – Alexander Pushkin
- Владимир Степанов – Рукавицы для лисицы
- Fragment of a Greek Tragedy poem – A. E. Housman
- To The Rose Upon The Rood Of Time by William Butler Yeats
- “Call Not The Royal Swede Unfortunate” by William Wordsworth
- To My Lord Fairfax poem – John Milton poems
- Sonnet 104: To me, fair friend, you never can be old by William Shakespeare
- The Conclusion by Sir Walter Raleigh
- An Hymn To The Morning by Phillis Wheatley
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Apologetic Postscript Of A Year Later by Robert Louis Stevenson
- An English Breeze by Robert Louis Stevenson
- Air Of Diabelli’s by Robert Louis Stevenson
- Ad Se Ipsum by Robert Louis Stevenson
- Ad Quintilianum by Robert Louis Stevenson
- Ad Piscatorem by Robert Louis Stevenson
- Ad Olum by Robert Louis Stevenson
- Ad Nepotem by Robert Louis Stevenson
- Ad Martialem by Robert Louis Stevenson
- Ad Magistrum Ludi by Robert Louis Stevenson
- About The Sheltered Garden Ground by Robert Louis Stevenson
- A Valentine’s Song by Robert Louis Stevenson
- A Thought by Robert Louis Stevenson
- A Good Play by Robert Louis Stevenson
- A Good Boy by Robert Louis Stevenson
- Upon Her Eyes by Robert Herrick
- The Hock-cart, or Harvest Home by Robert Herrick
- To Youth by Robert Herrick
- SOFT MUSIC by Robert Herrick
- The Bride-Cake by Robert Herrick
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.