A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- The Azure Sea of an alien tongue
- Альфред Теннисон – Нищая и король
- Алишер Навои – Уже белеет голова
- Sonnet V by Mahmoud Darwish
- The Country Doctor by Will McKendree Carleton
- Sonnet 27: Weary with toil, I haste me to my bed by William Shakespeare
- Олег Григорьев – Однажды Сережа и Оля
- Как Муромец Илья когда-то
- Владимир Луговской – Звезда (Я знаю ты любишь меня)
- Snow & Ice by Quincy Troupe
- Николай Карамзин – Дурной вкус
- Offerings. by Walt Whitman
- Robert Burns: On A Henpecked Country Squire:
- Transient
- The Crazed Moon by William Butler Yeats
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Song—A Fiddler in the North by Robert Burns
- Song—A Bottle and Friend by Robert Burns
- Sketch—New Year’s Day, 1790 by Robert Burns
- Sketch in Verse, inscribed to the Right Hon. C. J. Fox by Robert Burns
- Second Epistle to Robert Graham, Esq., of Fintry by Robert Burns
- Second Epistle to J. Lapraik by Robert Burns
- Second Epistle to Davie by Robert Burns
- Scots, Wha Hae Wi’ Wallace Bled by Robert Burns
- Scots Prologue for Mr. Sutherland by Robert Burns
- Sappho Redivivus: A Fragment by Robert Burns
- Robert Bruce’s March to Bannockburn (Song) by Robert Burns
- Rhyming Reply to a Note from Captain Riddell by Robert Burns
- Reply to the Threat of a Censorious Critic by Robert Burns
- Reply to an Announcement by J. Rankine by Robert Burns
- Reply to a Trimming Epistle, received from a Tailor by Robert Burns
- Remorseful Apology by Robert Burns
- Remorse: A Fragment by Robert Burns
- Prologue, spoken by Mr. Woods at Edinburgh by Robert Burns
- Prologue spoken at the Theatre of Dumfries by Robert Burns
- Prayer—O Thou Dread Power by Robert Burns
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.