A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- In Defense poem – Ambrose Bierce poems | Poems and Poetry
- The Child Is Father To The Man poem – Gerard Manley Hopkins poems
- Зинаида Александрова – Шарик
- Evenèn Twilight by William Barnes
- Как заработать на сочинении собственных стихов: варианты заработка денег стихотворениями – Poetry Monster
- Robert Burns: The Laddie’s Dear Sel’:
- Владимир Британишский – Мы кончили нашу работу
- Ольга Седакова – То в теплом золоте, в широких переплетах
- Олег Бундур – Тревожное время
- the_man_that_poetry_made.html
- Velocity Of Money poem – Allen Ginsberg
- I Thought I was not Alone. by Walt Whitman
- Faith and Faiths by Tomás Ó Cárthaigh
- Momma Welfare Roll by Maya Angelou
- Владимир Маяковский – Да или нет
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Bell Buoy by Rudyard Kipling
- The Ballad of the Red Earl by Rudyard Kipling
- The Ballad of the King’s Mercy by Rudyard Kipling
- The Ballad of the King’s Jest by Rudyard Kipling
- The Ballad of Fisher’s Boarding-House by Rudyard Kipling
- The Ballad of East and West by Rudyard Kipling
- The Answer by Rudyard Kipling
- Tarrant Moss by Rudyard Kipling
- Sussex by Rudyard Kipling
- Study of an Elevation, In Indian Ink by Rudyard Kipling
- South Africa by Rudyard Kipling
- Song of the Wise Children by Rudyard Kipling
- Song of the Red War-Boat by Rudyard Kipling
- Song of Diego Valdez by Rudyard Kipling
- Soldier an’ Sailor Too by Rudyard Kipling
- Snarleyow by Rudyard Kipling
- Sir Richard’s Song by Rudyard Kipling
- Shillin’ a Day by Rudyard Kipling
- Seven Watchmen by Rudyard Kipling
- Seal Lullaby by Rudyard Kipling
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.