A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Robert Burns: Epistle To Davie, A Brother Poet:
- Homing by Satish Verma
- Юлия Друнина – Есть время любить
- Омар Хайям – Лучше впасть в нищету, голодать или красть
- The Common Life by W H Auden
- Poetry And Politics
- Crazy Jane On God by William Butler Yeats
- Mary’s Son – A Tale of Christmas – An Inspiring Read
- To John Keats poem – Amy Lowell poems | Poems and Poetry
- The Dance At Darmstadt poem – Alfred Austin
- On a Fan of the Author’s Design poem – Alexander Pope
- Book Ends by Tony Harrison
- A Friend Forever
- Robert Burns: To Mr. M’Adam, Of Craigen-Gillan: In answer to an obliging Letter he sent in the commencement of my poetic career.
- Владимир Бенедиктов – Напрасные жертвы
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Great-Heart by Rudyard Kipling
- Gethsemane by Rudyard Kipling
- Gentlmen-Rankers by Rudyard Kipling
- Gehazi by Rudyard Kipling
- Fuzzy-Wuzzy by Rudyard Kipling
- Ford o’ Kabul River by Rudyard Kipling
- For To Admire by Rudyard Kipling
- For All We Have And Are by Rudyard Kipling
- Follow Me ‘ome by Rudyard Kipling
- Farewell and adieu… by Rudyard Kipling
- Evarra And His Gods by Rudyard Kipling
- England’s Answer by Rudyard Kipling
- Eddi’s Service by Rudyard Kipling
- Doctors by Rudyard Kipling
- Divided Destinies by Rudyard Kipling
- Delilah by Rudyard Kipling
- Dedication by Rudyard Kipling
- Dane-Geld by Rudyard Kipling
- Cuckoo Song by Rudyard Kipling
- Cruisers by Rudyard Kipling
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.