A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 115: Those lines that I before have writ do lie by William Shakespeare
- Sonnet 114: Or whether doth my mind, being crowned with you by William Shakespeare
- Sonnet 113: Since I left you, mine eye is in my mind by William Shakespeare
- Sonnet 112: Your love and pity doth th’ impression fill by William Shakespeare
- Sonnet 111: O, for my sake do you with Fortune chide by William Shakespeare
- Sonnet 110: Alas, ’tis true, I have gone here and there by William Shakespeare
- Sonnet 10: For shame, deny that thou bear’st love to any by William Shakespeare
- Sonnet 109: O, never say that I was false of heart by William Shakespeare
- Sonnet 108: What’s in the brain that ink may character by William Shakespeare
- Sonnet 107: Not mine own fears, nor the prophetic soul by William Shakespeare
- Sonnet 106: When in the chronicle of wasted time by William Shakespeare
- Sonnet 105: Let not my love be called idolatry by William Shakespeare
- Sonnet 104: To me, fair friend, you never can be old by William Shakespeare
- Sonnet 103: Alack, what poverty my Muse brings forth by William Shakespeare
- Sonnet 102: My love is strengthened, though more weak in seeming by William Shakespeare
- Sonnet 101: O truant Muse, what shall be thy amends by William Shakespeare
- Sonnet 100: Where art thou, Muse, that thou forget’st so long by William Shakespeare
- Sonnet LIV by William Shakespeare
- Silvia by William Shakespeare
- Sigh No More by William Shakespeare
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.