A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Владимир Высоцкий – Схвати судьбу за горло, словно посох
- Robert Burns: Talk Of Him That’s Far Awa:
- Кондратий Рылеев – К N. N. (У вас в гостях бывать накладно)
- The Beginning of the End by Rixa White
- Ballad Of The Despairing Husband by Robert Creeley
- Song—Blythe hae I been on yon hill by Robert Burns
- Letters to the Otherworld
- Владимир Степанов – Масленица
- Robert Burns: Verses On The Destruction Of The Woods Near Drumlanrig:
- Infelice by Stevie Smith
- Premature Blindness by Winston Riley
- The Nights Remember by Sara Teasdale
- Breathing Stars, Inspiration and the Labyrinth of Correspondence
- Владимир Маяковский – Вот молочный налог… (Главполитпросвет №217)
- Константин Батюшков – Любовь в челноке
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet LI by William Shakespeare
- Sonnet L by William Shakespeare
- Sonnet IX by William Shakespeare
- Sonnet IV: Unthrifty Loveliness, Why Dost Thou Spend by William Shakespeare
- Sonnet IV by William Shakespeare
- Sonnet III: Look In Thy Glass, and Tell the Face Thou Viewest by William Shakespeare
- Sonnet III by William Shakespeare
- Sonnet II: When Forty Winters Shall Besiege Thy Brow by William Shakespeare
- Sonnet II by William Shakespeare
- Sonnet I: From Fairest Creatures We Desire Increase by William Shakespeare
- Sonnet I by William Shakespeare
- Sonnet CXXXVIII by William Shakespeare
- Sonnet CXXXVII by William Shakespeare
- Sonnet CXXXVI by William Shakespeare
- Sonnet CXXXV by William Shakespeare
- Sonnet CXXXIX by William Shakespeare
- Sonnet CXXXIV by William Shakespeare
- Sonnet CXXXIII by William Shakespeare
- Sonnet CXXXII by William Shakespeare
- Sonnet CXXXI by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.