A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Memorials Of A Tour In Scotland, 1803 X. Rob Roy’s Grave by William Wordsworth
- Spider by Sylvia Plath
- Independent at Birth by Suuk Simon Subinimah
- Stacking The Straw poem – Amy Clampitt poems | Poems and Poetry
- Mandalay by Rudyard Kipling
- The Country Doctor by Will McKendree Carleton
- Sonnet 07 poem – John Milton poems
- From you have I been absent in the spring… (Sonnet 98) by William Shakespeare
- To a Certain Cantatrice. by Walt Whitman
- Veronica’s Napkin by William Butler Yeats
- Михаил Лермонтов – Арфа
- Forgotten Promises by Rixa White
- Mother Nature by Walter William Safar
- Ghazal of Rumi by Jalal ad-Din Muhammad Rumi
- The Boy by Marilyn Hacker
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- God Neither Known Nor Loved By The World by William Cowper
- Glory To God Alone by William Cowper
- From The Greek Of Julianus by William Cowper
- From Menander by William Cowper
- Epitaph On Mrs. M. Higgins, Of Weston by William Cowper
- Epitaph On Johnson by William Cowper
- Epitaph On Fop, A Dog Belonging To Lady Throckmorton by William Cowper
- Epitaph On A Free But Tame Redbreast, A Favourite Of Miss Sally Hurdis by William Cowper
- Epitaph On Mr. Chester Of Chicheley by William Cowper
- Epigram : To Leonora Singing At Rome (Translated From Milton) by William Cowper
- Epigram : To Christina, Queen Of Sweden, With Cromwell’s Picture (Translation) by William Cowper
- Epigram : The Cottager And His Landlord. A Fable (Translated From Milton) by William Cowper
- Epigram : On The Inventor Of Gunpowder (Translated From Milton) by William Cowper
- Epigram : To Leonora Singing At Rome 2 (Translated From Milton) by William Cowper
- Elegy VII. Anno Aetates Undevigesimo (Translated From Milton) by William Cowper
- Elegy VI. To Charles Diodati, When He Was Visiting In The Country (Translated From Milton) by William Cowper
- Elegy V. Anno Aet. 20. On The Approach Of Spring (Translated From Milton) by William Cowper
- Elegy III. Anno Aet. 17. On The Death Of The Bishop Of Winchester (Translated From Milton) by William Cowper
- Elegy II. On The Death Of The University Beadle At Cambridge (Translated From Milton) by William Cowper
- Elegy I. To Charles Deodati (Translated From Milton) by William Cowper
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.