A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Владимир Высоцкий – Песня Марии
- The Unborn by Sharon Olds
- The Hope of the Resurrection by Vachel Lindsay
- Broken Love by William Blake
- Гавриил Державин – Похвала комару
- Artistic Soul Retold by Roberto Cocina
- Alexander by Walter de la Mare
- Confession by Vasishta Sharma Gudi
- Огюст Барбье – Чимароза
- A Leaf for Hand in Hand. by Walt Whitman
- Hope for a New World by Raj Napal
- Let It Be Forgotten by Sara Teasdale
- Bubbles from Eternity by Muralidharan Mudaliar
- Олег Широв – Она бесценна, просто ангел
- Sonnet (VIII) : Some left crown , some left land and some into exile by Neelam Sinha
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Carter by William Barnes
- The Bwoat by William Barnes
- The Brook That Ran By Gramfer’s by William Barnes
- The Bells Ov Alderburnham by William Barnes
- The Bean Vield by William Barnes
- The Beam In Grenley Church by William Barnes
- The Beäten Path by William Barnes
- The Bachelor by William Barnes
- Thatchen O’ The Rick by William Barnes
- Teaken In Apples by William Barnes
- Sweet Music In The Wind by William Barnes
- Sound O’ Water by William Barnes
- A Snowy Night by William Barnes
- Slow To Come, Quick Agone by William Barnes
- Sleep Did Come Wi’ The Dew by William Barnes
- Shrodon Feäir by William Barnes
- Shaftesbury Feäir by William Barnes
- Ruth A-Ridèn by William Barnes
- Rivers Don’t Gi’e Out by William Barnes
- Riden Hwome At Night by William Barnes
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.