A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Василий Тредиаковский – Видеть все женские лица
- Владимир Британишский – Сон: в детстве, весной, в лесу
- Vo’k A-Comèn Into Church by William Barnes
- Нина Воронель – Суд современников не значит ни черта
- Epigram—The Keekin Glass by Robert Burns
- Psalm 02 poem – John Milton poems
- Ольга Повещенко – Фотограф смотрит в объектив
- Internal Migration Being Tour
- Robert Burns: The Lament: Occasioned by the unfortunate issue of a Friend’s Amour.
- Haiku: His Little Drum by Monty Gilmer
- Orlando Furioso Canto 8 by Ludovico Ariosto
- Юнна Мориц – Бетани
- A Supplication
- Владимир Британишский – Перед самой войной
- A Dialogue At Fiesole poem – Alfred Austin
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Hope A-Left Behind by William Barnes
- Heedless O’ My Love by William Barnes
- Haven Woones Fortune A-Twold by William Barnes
- The Happy Days When I Wer Young by William Barnes
- Hallowed Pleäces by William Barnes
- Gwain To Feäir by William Barnes
- Gwaïn To Brookwell by William Barnes
- Gwaïn Down The Steps Vor Water by William Barnes
- Guy Faux’s Night by William Barnes
- Grief An’ Gladness by William Barnes
- Grammer’s Shoes by William Barnes
- Grammer A-Crippled by William Barnes
- Good Meäster Collins by William Barnes
- Gammony Gaÿ by William Barnes
- A Father Out, An’ Mother Hwome by William Barnes
- Farmer’s Son by William Barnes
- Fanny’s Be’th-Day by William Barnes
- False Friends-Like by William Barnes
- Evenèn Twilight by William Barnes
- Evenèn Light by William Barnes
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.