A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- The Dead King by Rudyard Kipling
- God Has Pity On Kindergarten Children by Yehuda Amichai
- Наум Коржавин – На друга-поэта
- Николай Заболоцкий – Битва с предками
- The Leaders Of The Crowd by William Butler Yeats
- Илья Эренбург – Ода
- The Dark Hour by William Henry Davies
- The Dandelion by Vachel Lindsay
- Николай Заболоцкий – Голубиная книга
- America by Tony Hoagland
- Николай Языков – Вечер (Прохладен воздух был)
- Олег Григорьев – Люди
- Олег Бундур – Почему собаки дерутся
- On The Bus poem – Aldous Huxley poems | Poetry Monster
- Robert Burns: Epistle To A Young Friend:
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Омар Хайям – Из допущенных в рай и повергнутых в ад
- Омар Хайям – Имей друзей поменьше, не расширяй их круг
- Омар Хайям – И теперь живу под гнетом страха
- Омар Хайям – И сиянье рая, и ада огни
- Омар Хайям – Грех Хайям совершил и совсем занемог
- Омар Хайям – Где вы, друзья! Где вольный ваш припев?
- Омар Хайям – Этот мастер всевышний
- Омар Хайям – Это время любви, словно тёплая осень
- Омар Хайям – Есть много вер, и все несхожи
- Омар Хайям – Если жизнь все равно неизбежно пройдет
- Омар Хайям – Если все государства, вблизи и вдали
- Омар Хайям – Если ты не впадаешь в молитвенный раж
- Омар Хайям – Если счастлив от счастья
- Омар Хайям – Если любишь, то стойко разлуку терпи
- Омар Хайям – Если гурия страстно целует в уста
- Омар Хайям – Если есть у тебя для жилья закуток
- Омар Хайям – Если бог не услышит меня в вышине
- Омар Хайям – Египет, Рим, Китай держи ты под пятой
- Омар Хайям – Двести лет проживешь, или тысячу лет
- Омар Хайям – Душой ты безбожник с Писаньем в руке
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.