A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Drunkenness
- Яков Полонский – Полонский здесь не без привета
- Sonnet On The Death Of Mr Richard West by Thomas Gray
- Diffugere Nives poem – A. E. Housman
- Ballade Of Blind Love poem – Andrew Lang poems
- A Day on the Beach of War by Tony Stringfellow
- Robert Burns: Verses On The Destruction Of The Woods Near Drumlanrig:
- Adam by Rainer Maria Rilke
- An Encounter by Robert Frost
- So tired by Tanisha Avarsekar
- Владимир Набоков – Простая песня, грусть простая
- Love is Reckless by Jalal ad-Din Muhammad Rumi
- He Who Creates Re Creates Himself
- Camp Followers Song Gomal River
- Владимир Высоцкий – Мистерия хиппи
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Олег Сердобольский – Играли в шахматы слоны
- Олег Сердобольский – Футболист
- Олег Сердобольский – Два кораблика
- Олег Сердобольский – Черная считалка
- Олег Сердобольский – Алмазная снежинка
- Олег Митяев – Француженка
- Олег Мехов – Ах, у нашего Антошки
- Олег Карелин – Фото
- Олег Григорьев – Жена торговала колбасой
- Олег Григорьев – Зажав кузнечика в руке
- Олег Григорьев – Зашли мы к Сизову с приятелем
- Олег Григорьев – Яма
- Олег Григорьев – Я взял бумагу и перо
- Олег Григорьев – Я спросил электрика Петрова
- Олег Григорьев – Я сам себя в пальто одел
- Олег Григорьев – Я дверь в коридор отворил
- Олег Григорьев – Вперед не рвись
- Олег Григорьев – Вкусно от меда во рте
- Олег Григорьев – Вечером девочка Мила
- Олег Григорьев – Увязался М. за Ж.
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.