A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Николай Заболоцкий – Испытание воли
- Religious Obsession — translation from Dharmamoha by Rabindranath Tagore
- How Sweet I Roam’d by William Blake
- Sow by Sylvia Plath
- The Crocodile by Roald Dahl
- Sonnet 144: Two loves I have, of comfort and despair by William Shakespeare
- The Wicked Postman by Rabindranath Tagore
- In Memoriam A. H. H.: 121. Sad Hesper o’er the buried sun poem – Lord Alfred Tennyson poems
- On a Sea Fight, Which the Author was in, Betwixt the English and Dutch by William Wycherley
- An Hymn To The Morning by Phillis Wheatley
- For Aun by Lynne Scott
- Engagements by Satish Verma
- Respondez! by Walt Whitman
- Oh Stay At Home, My Lad poem – A. E. Housman
- Galahad In The Castle Of The Maidens by Sara Teasdale
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Новелла Матвеева – Восток, прошедший чрез воображенье
- Новелла Матвеева – Ветер
- Новелла Матвеева – Величие?
- Новелла Матвеева – Василий Андреевич
- Новелла Матвеева – Страна Дельфиния
- Новелла Матвеева – Смех Фавна
- Новелла Матвеева – Река
- Новелла Матвеева – Пушкин
- Новелла Матвеева – Подсолнух
- Новелла Матвеева – Отражённым светом
- Новелла Матвеева – О юморе
- Новелла Матвеева – Набрела на правильную строчку
- Новелла Матвеева – Мне кажется
- Новелла Матвеева – Маяк
- Новелла Матвеева – Когда Вселенная открывает нам добровольно
- Новелла Матвеева – Иней
- Новелла Матвеева – Есть вопиющий быт, есть вещие примеры
- Новелла Матвеева – Двое (Баллада)
- Новелла Матвеева – Дома без крыш
- Новелла Матвеева – Будьте, как дети
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.