A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Arion poem – Alexander Pushkin
- Владимир Степанов – Тула-город мастеров
- Impromptu on Mrs. Riddell’s Birthday by Robert Burns
- Джон Донн – Ворожба над портретом
- What the Miner in the Desert Said by Vachel Lindsay
- Song Of Khan Zada
- Mr. Apollinax by T. S. Eliot
- Иван Бунин – Беру твою руку и долго смотрю
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Wind in the Beechwood by Siegfried Sassoon
- Олег Бундур – Не боюсь
- Владимир Маяковский – Солдаты самодержавной армии мясниками бывали… (РОСТА №146)
- Places and Men by William Allingham
- A Choka Is A Littoral Drift
- happiness.html
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Николай Глазков – Дремота обрела права
- Николай Глазков – Дождь
- Николай Глазков – Должны мы все свой пай нести
- Николай Глазков – Девятое мая
- Николай Глазков – Давно хотел сложить стихи
- Николай Глазков – Чтоб улыбалось счастье
- Николай Глазков – Что ни год, идёт вперёд
- Николай Глазков – Чингисхан, Батый, Аттила
- Николай Глазков – Четыре времени года
- Николай Глазков – Бывают в нашей жизни величины
- Николай Глазков – Быть хочешь постоянно пьяным
- Николай Глазков – Была зима
- Николай Глазков – Богатырское распутье
- Николай Глазков – Без поражений нет побед
- Николай Глазков – Баллада о трактористе и ритуальном камне
- Николай Глазков – Бабье лето
- Николай Глазков – А минувшее все непонятнее ребусов
- Николай Глазков – 9-е мая
- Николай Гербель – Зной
- Николай Гербель – Введение к поэме
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.