A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Dedication To A Book Of Stories Selected From The Irish Novelists by William Butler Yeats
- To Prince Charles by William Alexander
- The Wanderer by W H Auden
- Only in my dreams by Nina Gabriel
- The Room by Mark Strand
- Song. Good Counsel to a Young Maid by Thomas Carew
- Motionless Body
- Address To Kilchurn Castle, Upon Loch Awe by William Wordsworth
- Sonnet CXII by William Shakespeare
- San Francisco Night Windows by Robert Penn Warren
- The Bird Has Vanished by Timothy Thomas Fortune
- I am only the house of your beloved by Jalal ad-Din Muhammad Rumi
- Old Susan by Walter de la Mare
- Glory Of Women by Siegfried Sassoon
- The Evenèn Star O’ Zummer by William Barnes
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Владимир Британишский – Феодосия, Керчь, Таганрог
- Владимир Британишский – Эх, из огня да в полымя
- Владимир Британишский – Этот вечер
- Владимир Британишский – Есть добрая, есть и дурная слава
- Владимир Британишский – Еретик
- Владимир Британишский – Емуртла
- Владимир Британишский – Екатеринбургский модерн
- Владимир Британишский – Единственный шаман, которого я видел
- Владимир Британишский – Дым отечества
- Владимир Британишский – Двуединство души
- Владимир Британишский – Другу
- Владимир Британишский – Дождик
- Владимир Британишский – Дороги
- Владимир Британишский – Дом (Время ведь с годами ведь)
- Владимир Британишский – Дом, как бог
- Владимир Британишский – Добравшись до водораздела
- Владимир Британишский – Девятое января
- Владимир Британишский – Державин был солдат
- Владимир Британишский – Дали ему дивизию
- Владимир Британишский – Далекая скрипка
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.