A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- In Effigiem Oliveri Cromwell poem – Andrew Marvell poems
- Feroke
- Pomona by William Morris
- How Sweet I Roam’d by William Blake
- Snapshots Of A Daughter In Law
- Grace Before Song poem – Ezra Pound poems
- To Clementina Black poem – Amy Levy poems | Poems and Poetry
- Hot and Cold by Roald Dahl
- Comus poem – John Milton poems
- Prologue To Spring by Sylvia Plath
- Владимир Маяковский – Гимн обеду
- Николай Заболоцкий – Ласточка
- Николай Глазков – Последний зимний
- Валерий Брюсов – Есть поразительная белость
- Because We Never Practiced With The Escape Chamber poem – Alice Fulton poems | Poetry Monster
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Владимир Высоцкий – Песенка про мангустов
- Владимир Высоцкий – Песенка о слухах
- Владимир Высоцкий – Песенка ни про что, или Что случилось в Африке
- Владимир Высоцкий – Переворот в мозгах из края в край
- Владимир Высоцкий – Перед выездом в загранку заполняешь кучу бланков
- Владимир Высоцкий – Пародия на плохой детектив
- Владимир Высоцкий – Парня спасём, парня в детдом
- Владимир Высоцкий – Памятник
- Владимир Высоцкий – Палач
- Владимир Высоцкий – Охота на кабанов
- Владимир Высоцкий – Ох, где был я вчера
- Владимир Высоцкий – Отпустите мне грехи
- Владимир Высоцкий – От скучных шабашей смертельно уставши
- Владимир Высоцкий – Оплавляются свечи на старинный паркет
- Владимир Высоцкий – Она была в Париже
- Владимир Высоцкий – Он не вернулся из боя
- Владимир Высоцкий – Оловянные солдатики
- Владимир Высоцкий – Однако, втягивать живот
- Владимир Высоцкий – Один смотрел, другой орал
- Владимир Высоцкий – Очи чёрные: Часть I
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.